La Inestable [lima]


La Inestable

Alicia Bisso
translated by Heather Cleary

I never liked poetry. My self-imposed task of learning to read it began with a strange discovery. One afternoon, a traffic jam brought me to a stop in front of what seemed to be a small bookstore. I was barely able to make out what the sign hanging from the iron door said. I-N-E-S-T-A-B-L-E. Unstable. I went back because of the name. As soon as I set foot inside, I knew I had found my place. I’m drawn to small spaces where I’m not overwhelmed by titles and authors, and where the salespeople don’t throw themselves at me like darts. When I’m in a bookstore, I like to feel invisible. The owner of La Inestable is always reading and seems not to pay attention to anything else, so I’m able to take all the time I need to let the poetry grow on me. It doesn’t take long. I skim the covers of the foreign volumes. The books occupy all sorts of spaces and are stacked on different levels like in some kind of labyrinth. I read the poems of Elizabeth Bishop and Gertrude Stein for the first time in the comfort of the old armchair in the corner. Each seems like a little discovery, something revealed only to me. I sometimes think that on the day I stepped across the threshold and into that store, poetry did the same with me.

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Librería La Inestable. Calle Porta 185 “B” / Miraflores / Lima, Perú

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Image: Alicia Bisso

BissoAlicia Bisso is a writer and a journalist. She published a collection of short stories, Algunas fotos tuyas, and has a piece in Matadoras, an anthology of Peruvian women writers. She is the author of El Comercio’s relationships blog “Busco Novio” and contributes to a number of local and international publications.
Cleary photo MAR14Heather Cleary has published translations and literary criticism with Two Lines, Words Without Borders, and Music & Literature, among other publications. She was awarded a PEN Translation Fund grant in 2005 for her work with the poetry of Oliverio Girondo, and her translation of Sergio Chejfec’s The Planets was a finalist for the Best Translated Book Award. More recently, her translations of Chejfec’s The Dark, nominated for ALTA’s National Translation Award, and Poems to Read on a Streetcar, a pamphlet of Girondo’s poetry (New Directions 2014) have made their way into bookstores. She holds a PhD in Latin American and Iberian Cultures from Columbia University.


Published on June 7th of 2013 in Shelf Love.



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張愛玲

這是真的。

有個村莊的小康之家的女孩子,生得美,有許多人來做媒,但都沒有說成。那年她不過十五六歲吧,是春天的晚上,她立在後門口,手扶著桃樹。她記得她穿的是一件月白的衫子。對門住的年輕人同她見過面,可是從來沒有打過招呼的,他走了過來,離得不遠,站定了,輕輕的說了一聲:“噢,你也在這裡嗎?”她沒有說什麼,他也沒有再說什麼,站了一會,各自走開了。

就這樣就完了。

後來這女子被親眷拐子賣到他鄉外縣去作妾,又幾次三番地被轉賣,經過無數的驚險的風波,老了的時候她還記得從前那一回事,常常說起,在那春天的晚上,在後門口的桃樹下,那年輕人。

於千萬人之中遇見你所遇見的人,於千萬年之中,時間的無涯的荒野裡,沒有早一步,也沒有晚一步,剛巧趕上了,那也沒有別的話可說,惟有輕輕的問一聲:“噢,你也在這裡嗎?”

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错误

郑愁予

我打江南走过 那等在季节里的容颜如莲花的开落 东风不来,三月的柳絮不飞 你的心如小小的寂寞的城 恰若青石的街道向晚 跫音不响,三月的窗扉紧掩 我达达的马蹄是美丽的错误 我不是归人,是个过客

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