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	<title>the Buenos Aires Review &#187; Valeria Meiller</title>
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	<link>http://www.buenosairesreview.org</link>
	<description>Arts &#38; Culture</description>
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		<title>Maxine Chernoff</title>
		<link>http://www.buenosairesreview.org/2013/06/maxine-chernoff/</link>
		<comments>http://www.buenosairesreview.org/2013/06/maxine-chernoff/#comments</comments>
		<pubDate>Fri, 14 Jun 2013 16:43:46 +0000</pubDate>
		<dc:creator><![CDATA[Valeria Meiller]]></dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[San Francisco]]></category>

		<guid isPermaLink="false">http://www.buenosairesreview.org/?p=2648</guid>
		<description><![CDATA[<p style="text-align: center;" align="right"></p>
<p align="right">For every appetite there is a world.
—Bachelard</p>
<p style="text-align: left;">You starred in the movie with Maud Gonne and Socrates and Juliet and a flock of sparrows that were a fixed point like the spire of a cathedral but made of feathers. You were naked and clothed and wearing nothing visible except when you sat or stood or began to speak, and then the words were made of black yarn and your fingers held them as in an outline of reverie. You were there and not there and when I partially held you, the idea of you faded into a hint of light tinged by a window in the westernmost sky. And under the window, your face was not intimate as those of persons one loves but vaguer and therefore more intimate in its shadowed complexity. If water ... <a href="http://www.buenosairesreview.org/2013/06/maxine-chernoff/">Read More &#187;</a>]]></description>
				<content:encoded><![CDATA[<p style="text-align: center;" align="right"><a href="http://www.buenosairesreview.org/wp-content/uploads/barbara-scotto-3.jpg"><img class="aligncenter size-large wp-image-2652" alt="Barbara Scotto_3" src="http://www.buenosairesreview.org/wp-content/uploads/barbara-scotto-3-1024x682.jpg" width="1024" height="682" /></a></p>
<p align="right"><i>For every appetite there is a world.<br />
—</i>Bachelard<i></i></p>
<p style="text-align: left;">You starred in the movie with Maud Gonne and Socrates and Juliet and a flock of sparrows that were a fixed point like the spire of a cathedral but made of feathers. You were naked and clothed and wearing nothing visible except when you sat or stood or began to speak, and then the words were made of black yarn and your fingers held them as in an outline of reverie. You were there and not there and when I partially held you, the idea of you faded into a hint of light tinged by a window in the westernmost sky. And under the window, your face was not intimate as those of persons one loves but vaguer and therefore more intimate in its shadowed complexity. If water is proof of thirst and the knowable self-enclosed like a satisfied hour with a book, then stories can end as they begin without the suffix of time and its pressures. You starred in the movie, and certain necessities fled like figures animated by their own recognition.</p>
<p style="text-align: left;">
<p style="text-align: center;">* *</p>
<p><em>Image: <a href="http://frutaabrillantada.blogspot.com.ar/" target="_blank">Barbara Scotto</a></em></p>
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		<item>
		<title>Victoria Redel</title>
		<link>http://www.buenosairesreview.org/2013/06/victoria-redel/</link>
		<comments>http://www.buenosairesreview.org/2013/06/victoria-redel/#comments</comments>
		<pubDate>Mon, 03 Jun 2013 06:11:15 +0000</pubDate>
		<dc:creator><![CDATA[Valeria Meiller]]></dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[New York]]></category>

		<guid isPermaLink="false">http://www.buenosairesreview.org/?p=2539</guid>
		<description><![CDATA[<p></p>
<p style="text-align: right;"> </p>
<p>BOTTOM LINE</p>
<p>As when my father goes back under
and the doctor comes out to tell us he’s put a window in my father’s heart.</p>
<p>At last! The inscrutable years are over. I’ll look right in
before the glass gets smudged, before he has a chance to buy drapes or slatted blinds.</p>
<p>It will be a picture window; I’ll be a peeping Tom.
Imagine the balcony of secrets, the longings: our future a window box of heart-to-hearts.</p>
<p>Then he’s awake, calling for morphine,
his pain greater than from the first surgery.</p>
<p>On the next rounds the doctor clarifies:
the window’s really more like a gutter so built-up fluids can drain.</p>
<p>And I remember my father on a ladder
pulling down leaves and rot, each year saying, Do I need this kind of trouble?</p>
<p>Saying, A new roof? You think I’m made of money?
Draw the shades. Let him rest. Let me sit ... <a href="http://www.buenosairesreview.org/2013/06/victoria-redel/">Read More &#187;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.buenosairesreview.org/wp-content/uploads/LaGrave-Hotel.jpg"><img class="aligncenter size-large wp-image-2542" alt="LaGrave Standard Hotel" src="http://www.buenosairesreview.org/wp-content/uploads/LaGrave-Hotel-1024x768.jpg" width="1024" height="768" /></a></p>
<p style="text-align: right;"><em> </em></p>
<p>BOTTOM LINE</p>
<p>As when my father goes back under<br />
and the doctor comes out to tell us he’s put a window in my father’s heart.</p>
<p>At last! The inscrutable years are over. I’ll look right in<br />
before the glass gets smudged, before he has a chance to buy drapes or slatted blinds.</p>
<p>It will be a picture window; I’ll be a peeping Tom.<br />
Imagine the balcony of secrets, the longings: our future a window box of heart-to-hearts.</p>
<p>Then he’s awake, calling for morphine,<br />
his pain greater than from the first surgery.</p>
<p>On the next rounds the doctor clarifies:<br />
the window’s really more like a gutter so built-up fluids can drain.</p>
<p>And I remember my father on a ladder<br />
pulling down leaves and rot, each year saying, Do I need this kind of trouble?</p>
<p>Saying, A new roof? You think I’m made of money?<br />
Draw the shades. Let him rest. Let me sit beside my father in the dark.</p>
<p style="text-align: center;">* *</p>
<p style="text-align: right;"><em>Image: <a href="http://www.magneticlaboratorium.com/" target="_blank">Marisela LaGrave</a></em></p>
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		<item>
		<title>John Freeman</title>
		<link>http://www.buenosairesreview.org/2013/04/john-freeman/</link>
		<comments>http://www.buenosairesreview.org/2013/04/john-freeman/#comments</comments>
		<pubDate>Tue, 23 Apr 2013 05:35:36 +0000</pubDate>
		<dc:creator><![CDATA[Valeria Meiller]]></dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[New York]]></category>

		<guid isPermaLink="false">http://www.buenosairesreview.org/?p=1447</guid>
		<description><![CDATA[<p style="text-align: center;"></p>
<p>&#160;</p>
<p>THE HEAT</p>
<p>At night as the heat’s
warble strummed to
a ticking silence,
and the crabgrass
turned blue then green
then black, the branches
above would relax
and gently pluck my
window-screen, like
the dark-haired woman
who, years later, would
scratch to be let in.</p>
<p>&#160;</p>
<p style="text-align: center;">**</p>
<p>UNKNOWING</p>
<p>Your father was born after the earthquake &#38; fire.
Began work at four, buried his mother at six.
Summers he picked prunes in the valley,
the sun searing spots onto his narrow shoulders.
He lost an eye. Blew out his left ear-drum
in a packing plant accident. These things
were what one expected.</p>
<p>He never made friends. They were a luxury,
he could not afford. He smoked for a decade,
through college, when he worked full-time as a
teacher. Nights he dedicated to numbers. Found
pleasure in the orderly arrangement of the known
world. You were a gift, born at the end of the
depression, to his German wife—unaware of
the rubble from which you emerged.</p>
<p>You were a ... <a href="http://www.buenosairesreview.org/2013/04/john-freeman/">Read More &#187;</a>]]></description>
				<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://www.buenosairesreview.org/wp-content/uploads/SFB_Freeman.jpg"><img class="alignnone size-large wp-image-1656" alt="SFB_Freeman" src="http://www.buenosairesreview.org/wp-content/uploads/SFB_Freeman-1024x688.jpg" width="1024" height="688" /></a></p>
<p>&nbsp;</p>
<p>THE HEAT</p>
<p>At night as the heat’s<br />
warble strummed to<br />
a ticking silence,<br />
and the crabgrass<br />
turned blue then green<br />
then black, the branches<br />
above would relax<br />
and gently pluck my<br />
window-screen, like<br />
the dark-haired woman<br />
who, years later, would<br />
scratch to be let in.</p>
<p>&nbsp;</p>
<p style="text-align: center;">**</p>
<p>UNKNOWING</p>
<p>Your father was born after the earthquake &amp; fire.<br />
Began work at four, buried his mother at six.<br />
Summers he picked prunes in the valley,<br />
the sun searing spots onto his narrow shoulders.<br />
He lost an eye. Blew out his left ear-drum<br />
in a packing plant accident. These things<br />
were what one expected.</p>
<p>He never made friends. They were a luxury,<br />
he could not afford. He smoked for a decade,<br />
through college, when he worked full-time as a<br />
teacher. Nights he dedicated to numbers. Found<br />
pleasure in the orderly arrangement of the known<br />
world. You were a gift, born at the end of the<br />
depression, to his German wife—unaware of<br />
the rubble from which you emerged.</p>
<p>You were a child among the many thousand trees<br />
of Sacramento. Imported to give a desert<br />
valley town some shade. At sixteen you were<br />
given a ’57 Chevy, which you rolled twice<br />
on the way home from football games. Your<br />
license was never suspended. It was too easy<br />
to make such things go away. Your father,<br />
mid-climb into the airless summit of his<br />
unexpected career, did not attend your games.</p>
<p>You had to learn the sting of failure<br />
unobserved. Davis, then Berkeley, then<br />
seminary, where, among closeted homosexuals<br />
and anguished penitents, you felt, in God,<br />
a familiar sense of bruised neglect.<br />
You dropped out; worked as a prison<br />
guard with teenagers put away<br />
after knife fights and bar-room brawls.<br />
One year. Your peripheral vision and drop-<br />
step adjusted, never softened.</p>
<p>We were born in Cleveland, where you had moved<br />
for yet more school, and where you sensed the sinkhole<br />
developing. My mother, cute as a young nurse,<br />
from an Ohio land-grant family which paid her<br />
credit card bills. You lived in the ghetto,<br />
wore zipper boots and drove a dropped  ’69 Mustang.<br />
A brick thrown at your head on a passing bus<br />
reminded—you may be an outsider, but your<br />
skin was white.</p>
<p>It took years to conceive. Your gratitude for children<br />
immense. At nights, in Long Island, and then<br />
Pennsylvania, your lips on our heads, were<br />
so kind as to be Unnoticed. We slept unbroken.<br />
I do not remember once having dinner after six.<br />
Our biggest complaint, the wait before we could<br />
race out into the humid falling dark, to hear<br />
the ball’s pop against our new mitts.</p>
<p>Thirty years after you left we returned to Sacramento.<br />
Your mother long since dead. Your father’s two<br />
decades of world travel underway. The sun poured<br />
down on our backs at the swim club, scorching<br />
spots onto our broad shoulders. We trained<br />
like professional athletes. None of us failed.<br />
You provided in your artificial poverty by<br />
adopting an actuarial budget. Everything<br />
would be recorded. We started work before<br />
our tenth birthdays.</p>
<p>We woke to mists, to tinny clock-radio top<br />
forty hits. Slept-walked to the garage, klieg-<br />
lit in the gloaming, where at five you stood<br />
counting newspapers, sprung from their plastic<br />
binding like newborn news. We pedaled<br />
out into the fog as if back into our dreams.<br />
The only sound the squeal and crank of our<br />
wheezing bicycles.</p>
<p>Half-way through the route, our bags like sagged<br />
breasts on our chests, we would come upon your car,<br />
rear-gate agape, classical music aerating the silence.<br />
A light-ship docked among the palm fronds<br />
of an indifferent neighborhood. You fed<br />
us another forty papers, packed roughly and<br />
quickly so that we never finished later than<br />
six. It took me far too long to understand<br />
this was love.</p>
<p style="text-align: center;"> **</p>
<p>OSLO</p>
<p>I&#8217;ve been here<br />
before, the hotels<br />
in the bluish light,<br />
squares of ice.<br />
Outside the<br />
opera house<br />
taxi tires crunch<br />
across pavements<br />
of salt, the first<br />
departures. I begin<br />
a letter describing<br />
it all, knowing you&#8217;ll<br />
never see it. Later,<br />
I&#8217;m down there among<br />
the commuters,<br />
and, for an instant,<br />
it&#8217;s as if<br />
you were here. Ice,<br />
lights, the wind’s<br />
knowing sere.<br />
It&#8217;s been two years.</p>
<p style="text-align: center;">* *</p>
<p><em>Image: <a href="http://sofiafloresblasco.tumblr.com/" target="_blank">Sofia Flores Blasco</a></em></p>
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