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	<title>the Buenos Aires Review &#187; Ishion Hutchinson</title>
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		<title>Ishion Hutchinson</title>
		<link>http://www.buenosairesreview.org/2014/07/ishion-hutchinson/</link>
		<comments>http://www.buenosairesreview.org/2014/07/ishion-hutchinson/#comments</comments>
		<pubDate>Sun, 20 Jul 2014 23:14:10 +0000</pubDate>
		<dc:creator><![CDATA[Ishion Hutchinson]]></dc:creator>
				<category><![CDATA[BAR(2)]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Port Antonio]]></category>

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<p>&#160;</p>
<p>A GIRL AT CHRISTMAS</p>
<p>The choir that cannot die.
Fish and fennel. Snow. Christmas
tree, clover and pomegranate.</p>
<p>For all she&#8217;s gladdened: milk
which is love dreaming in one
hand; clefts of clementine stain</p>
<p>the other. They cannot die,
these tribal ornaments, coral
joy, battering ceramic, peach</p>
<p>bones. Scotch bonnet seeds.
She then belts her savage choir
and dances herself into a festival.</p>
<p style="text-align: center;">*</p>
<p>VERS DE SOCIÉTÉ</p>
<p>Some meager talk of Larkin
over quiche and pâté, olives
the proclaimed ragamuffin
picked at as though our lives;</p>
<p>circumspect, the neutral host
blanched at pills and diaphragm,
shook her clipped head of frost,
insist he please changed from</p>
<p>that cold brute, to where life
is modest, the islands, perhaps,
not this social phalanx;
but he answered, none too vexed:</p>
<p>that’s the drivel of some bitch;
a gulf caved into her face;
the champagne flattened to piss;
cardiac breath, no one flaked,</p>
<p>waiting for blood on the ice,
an extremity, voice rifted
on voice; burred, tender, polite
in one spur, like crisped pomfret</p>
<p>forked in the ... <a href="http://www.buenosairesreview.org/2014/07/ishion-hutchinson/">Read More &#187;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.buenosairesreview.org/wp-content/uploads/AmayaBouquet-Judith-fotografia-toma-directa-impresa-en-papel-epson-cotton-hot-press-320-gr-110-cm-x-150-cm-2014.jpeg"><img class="aligncenter size-full wp-image-4920" alt="AmayaBouquet - Judith - fotografia toma directa impresa en papel epson cotton hot press 320 gr - 110 cm x 150 cm - 2014" src="http://www.buenosairesreview.org/wp-content/uploads/AmayaBouquet-Judith-fotografia-toma-directa-impresa-en-papel-epson-cotton-hot-press-320-gr-110-cm-x-150-cm-2014.jpeg" width="791" height="994" /></a></p>
<p>&nbsp;</p>
<p>A GIRL AT CHRISTMAS</p>
<p>The choir that cannot die.<br />
Fish and fennel. Snow. Christmas<br />
tree, clover and pomegranate.</p>
<p>For all she&#8217;s gladdened: milk<br />
which is love dreaming in one<br />
hand; clefts of clementine stain</p>
<p>the other. They cannot die,<br />
these tribal ornaments, coral<br />
joy, battering ceramic, peach</p>
<p>bones. Scotch bonnet seeds.<br />
She then belts her savage choir<br />
and dances herself into a festival.</p>
<p style="text-align: center;">*</p>
<p>VERS DE SOCIÉTÉ</p>
<p>Some meager talk of Larkin<br />
over quiche and pâté, olives<br />
the proclaimed ragamuffin<br />
picked at as though our lives;</p>
<p>circumspect, the neutral host<br />
blanched at <i>pills</i> and <i>diaphragm</i>,<br />
shook her clipped head of frost,<br />
insist he please changed from</p>
<p>that cold brute, to where life<br />
is modest, the islands, perhaps,<br />
not this social phalanx;<br />
but he answered, none too vexed:</p>
<p><i>that’s the drivel of some bitch</i>;<br />
a gulf caved into her face;<br />
the champagne flattened to piss;<br />
cardiac breath, no one flaked,</p>
<p>waiting for blood on the ice,<br />
an extremity, voice rifted<br />
on voice; burred, tender, polite<br />
in one spur, like crisped pomfret</p>
<p>forked in the eye, she said:<br />
<i>all solitude is selfish,<br />
and effective only when dead;<br />
be selfish. You won’t be missed.</i></p>
<p style="text-align: center;">*</p>
<p>READING <i>LIGHT YEARS</i></p>
<p>A soft light, God’s idleness<br />
warms the skin of the lake.<br />
Impeachable, mind-changing<br />
light in the mind of the leaves.<br />
What is terrifying about happiness?<br />
Happiness. The water does not move.<br />
God’s idleness is everywhere.<br />
In the October and November<br />
inlet, the leaves sleep far<br />
from the married corpses,<br />
bound by a pure, inexplicable love.</p>
<p style="text-align: center;">*</p>
<p>SONG OFF THE ISLAND</p>
<p>I walk the midnight her voice<br />
storm off the island into the house,<br />
the cupboards and closets,<br />
heaving books out of place;<br />
I climb the whitehaired moon<br />
of her tears bolted to furies<br />
pacing in the hanging plants.<br />
On each scream’s scaffold I abide,<br />
an old soldier, full of dreams<br />
to sleep, kneeling to the eye<br />
in the wall, its jagged dark<br />
in the morning braid of her love<br />
pain; there I minister amid<br />
what we tear down and build.</p>
<p style="text-align: center;">* *</p>
<p><em>Image: &#8220;Judith&#8221; (2014) by <a href="http://miaumiauestudio.com/artistas/bouquet/" target="_blank">Amaya Bouquet</a>   </em></p>
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