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	<title>the Buenos Aires Review &#187; Alexis Almeida</title>
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	<description>Arts &#38; Culture</description>
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		<title>Dubitation (a selection)</title>
		<link>http://www.buenosairesreview.org/2017/04/dubitation-a-selection/</link>
		<comments>http://www.buenosairesreview.org/2017/04/dubitation-a-selection/#comments</comments>
		<pubDate>Fri, 07 Apr 2017 15:44:36 +0000</pubDate>
		<dc:creator><![CDATA[Alexis Almeida]]></dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Buenos Aires]]></category>

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		<description><![CDATA[<p style="text-align: right;"></p>
<p style="text-align: right;">Martín Gambarotta
Translated by Alexis Almeida</p>
<p>&#160;</p>
<p>Here, the water is different, the artichoke</p>
<p>leaves are different, everything is</p>
<p>in essence, different,</p>
<p>but he who takes the bottle from the refrigerator</p>
<p>and puts it on the table is</p>
<p>basically the same</p>
<p>&#160;</p>
<p>*</p>
<p>&#160;</p>
<p>You who choose</p>
<p>confrontation, you who choose</p>
<p>confrontation, you</p>
<p>who choose confrontation.</p>
<p>&#160;</p>
<p>You who choose reverberation, you</p>
<p>who choose reverberation, you who</p>
<p>choose reverberation.</p>
<p>&#160;</p>
<p>You who choose dubitation, you</p>
<p>who choose dubitation, you who choose</p>
<p>dubitation.</p>
<p>&#160;</p>
<p>You who choose anomaly, you</p>
<p>who choose anomaly, you who choose</p>
<p>anomaly.</p>
<p>&#160;</p>
<p>You who measure your actions</p>
<p>milimetrically, you who measure</p>
<p>your actions milimetrically, you</p>
<p>who measure you actions milimetrically.</p>
<p>&#160;</p>
<p>*</p>
<p>Fifteen months, three of those months</p>
<p>to decode the rest of the months</p>
<p>your months, which is to say north of those</p>
<p>months there was nothing.</p>
<p>&#160;</p>
<p>&#160;</p>
<p>*</p>
<p>&#160;</p>
<p>You who are able to materialize, you</p>
<p>who are able to materialize. You who are able</p>
<p>to materialize.</p>
<p>&#160;</p>
<p>&#160;</p>
<p>*</p>
<p>You who don’t understand the benefit</p>
<p>of having spent long hours, entire days</p>
<p>with binoculars watching birds and</p>
<p>recording their names ... <a href="http://www.buenosairesreview.org/2017/04/dubitation-a-selection/">Read More &#187;</a>]]></description>
				<content:encoded><![CDATA[<p style="text-align: right;"><a href="http://www.buenosairesreview.org/wp-content/uploads/larger.jpg"><img class="aligncenter size-full wp-image-5956" alt="larger" src="http://www.buenosairesreview.org/wp-content/uploads/larger.jpg" width="1024" height="692" /></a></p>
<p style="text-align: right;"><em>Martín Gambarotta<br />
Translated by Alexis Almeida</em></p>
<p>&nbsp;</p>
<p>Here, the water is different, the artichoke</p>
<p>leaves are different, everything is</p>
<p>in essence, different,</p>
<p>but he who takes the bottle from the refrigerator</p>
<p>and puts it on the table is</p>
<p>basically the same</p>
<p>&nbsp;</p>
<p>*</p>
<p>&nbsp;</p>
<p>You who choose</p>
<p>confrontation, you who choose</p>
<p>confrontation, you</p>
<p>who choose confrontation.</p>
<p>&nbsp;</p>
<p>You who choose reverberation, you</p>
<p>who choose reverberation, you who</p>
<p>choose reverberation.</p>
<p>&nbsp;</p>
<p>You who choose dubitation, you</p>
<p>who choose dubitation, you who choose</p>
<p>dubitation.</p>
<p>&nbsp;</p>
<p>You who choose anomaly, you</p>
<p>who choose anomaly, you who choose</p>
<p>anomaly.</p>
<p>&nbsp;</p>
<p>You who measure your actions</p>
<p>milimetrically, you who measure</p>
<p>your actions milimetrically, you</p>
<p>who measure you actions milimetrically.</p>
<p>&nbsp;</p>
<p>*</p>
<p>Fifteen months, three of those months</p>
<p>to decode the rest of the months</p>
<p>your months, which is to say north of those</p>
<p>months there was nothing.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>*</p>
<p>&nbsp;</p>
<p>You who are able to materialize, you</p>
<p>who are able to materialize. You who are able</p>
<p>to materialize.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>*</p>
<p>You who don’t understand the benefit</p>
<p>of having spent long hours, entire days</p>
<p>with binoculars watching birds and</p>
<p>recording their names in a notebook.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>*</p>
<p>To know the species</p>
<p>of the bird well</p>
<p>before naming it</p>
<p>&nbsp;</p>
<p>is the only honest</p>
<p>way to name</p>
<p>it</p>
<p>&nbsp;</p>
<p>so when he saw</p>
<p>what seemed to be</p>
<p>four wild</p>
<p>&nbsp;</p>
<p>parrots in a low</p>
<p>flight between the thin</p>
<p>palms in the plaza</p>
<p>&nbsp;</p>
<p>in unison: four green</p>
<p>fighter-bombers</p>
<p>in miniature</p>
<p>&nbsp;</p>
<p>zig-zagging</p>
<p>as if to write Tel Aviv</p>
<p>together in the air</p>
<p>&nbsp;</p>
<p>I couldn’t</p>
<p>digest well</p>
<p>the experience</p>
<p>&nbsp;</p>
<p>*</p>
<p>&nbsp;</p>
<p>The fugitive chess player in an amusement park.</p>
<p>&nbsp;</p>
<p>The trichotomy that distorts sight.</p>
<p>&nbsp;</p>
<p>*</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>It’s not the moment for putting the artichoke</p>
<p>on an immaculate metal table</p>
<p>and it’s not the moment for digressions</p>
<p>about why he didn’t put the artichoke</p>
<p>on the table; it’s not the retractable moment</p>
<p>the regressing moment for everything, the moment</p>
<p>to assign a color to every month</p>
<p>the moment of the flaming black rag</p>
<p>over his head.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>*</p>
<p>&nbsp;</p>
<p>If you want</p>
<p>your house to be</p>
<p>Babylon</p>
<p>&nbsp;</p>
<p>without a visa</p>
<p>you can’t</p>
<p>sing</p>
<p>&nbsp;</p>
<p>if you don’t want</p>
<p>to sit in a</p>
<p>plastic chair</p>
<p>&nbsp;</p>
<p>if you sing</p>
<p>they won’t give you a</p>
<p>visa.</p>
<p>&nbsp;</p>
<p>*</p>
<p>He’s not here</p>
<p>he went to buy</p>
<p>unleavened bread</p>
<p>&nbsp;</p>
<p>he’s not here</p>
<p>he went to bathe</p>
<p>in the river</p>
<p>&nbsp;</p>
<p>he’s not here</p>
<p>he went to rotate</p>
<p>in the void</p>
<p>&nbsp;</p>
<p>he’s not here</p>
<p>he went from the cold</p>
<p>into the cold</p>
<p>&nbsp;</p>
<p><em>Image: Delfina Estrada, &#8220;Battlefield&#8221;</em></p>
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